Who pioneered the concept of montage in film editing?

The correct choice is Sergei Eisenstein, who is often credited with pioneering the concept of montage in film editing. Eisenstein's innovative use of montage emphasized the juxtaposition of images to create meaning beyond what could be conveyed through a single shot. He believed that montage could evoke emotional responses and intellectual engagement from the audience by manipulating the rhythm and pace of the film. His work, particularly in films like "Battleship Potemkin," illustrated how editing could influence the narrative and shape viewers' perceptions of events.

Eisenstein's theories on montage, including his ideas about intellectual and emotional montage, have had a profound impact on cinema, influencing filmmakers and editors around the world. His creative approach laid the groundwork for various techniques in modern filmmaking, including the idea that editing is not just a technical process, but an artistic one that can enhance the storytelling experience.

In contrast, while Alfred Hitchcock made significant contributions to the art of suspense and narrative structure in films, his focus was not primarily on montage as defined by Eisenstein. Dziga Vertov also explored montage, but he is more associated with the concept of "Kino-Eye" and the documentary style rather than the narrative-driven montage techniques that Eisenstein championed. François Truffaut,